courtesy : student of marathi
History
981 A.D. Marathi inscription at the foot of Bahubali statue at Jain temple in Shravanabelagola is the earliest known Marathi inscription found. It was derived from Prakrit language
Indian languages, including Marathi, that belong to the Indo-Aryan language family are derived from early forms of Prakrit. Marathi is one of several languages that further descend from Maharashtri Prakrit. Further changes led to the formation of Jain Apabhraṃśa followed by Old Marathi. However, this is challenged by Bloch (1970), who states that Apabhraṃśa was formed after Marathi had already separated from the Middle Indian dialect.
The earliest example of Maharashtri as a separate language dates to approximately 1st century BCE: a stone inscription found in a cave at Naneghat, Junnar in Pune district had been written in Maharashtri using Brahmi script. A committee appointed by the Maharashtra State Government to get the Classical status for Marathi has claimed that Marathi existed at least 1,500 – 2,000 years ago alongside Sanskrit as a sister language. Marathi, a derivative of Maharashtri Prakrit language , is probably first attested in a 739 CE copper-plate inscription found in Satara. Several inscriptions dated to the second half of the 11th century feature Marathi, which is usually appended to Sanskrit or Kannada in these inscriptions. The earliest Marathi-only inscriptions are the ones issued during the Shilahara rule, including a c. 1012 CE stone inscription from Akshi taluka of Raigad district, and a 1060 or 1086 CE copper-plate inscription from Dive that records a land grant (agrahara) to a Brahmin. A 2-line 1118 CE Marathi inscription at Shravanabelagola records a grant by the Hoysalas. These inscriptions suggest that Marathi was a standard written language by the 12th century. However, there is no record of any literature produced in Marathi until the late 13th century.
Yadava period
After 1187 CE, the use of Marathi grew substantially in the inscriptions of the Yadava kings, who earlier used Kannada and Sanskrit in their inscriptions. Marathi became the dominant language of epigraphy during the last half century of the dynasty’s rule (14th century), and may have been a result of the Yadava attempts to connect with their Marathi-speaking subjects and to distinguish themselves from the Kannada-speaking Hoysalas.
Further growth and usage of the language was because of two religious sects – the Mahanubhava and Varkari panthans – who adopted Marathi as the medium for preaching their doctrines of devotion. Marathi was used in court life by the time of the Yadava kings. During the reign of the last three Yadava kings, a great deal of literature in verse and prose, on astrology, medicine, Puranas, Vedanta, kings and courtiers were created. Nalopakhyana, Rukminiswayamvara and Shripati’s Jyotisharatnamala (1039) are a few examples.
The oldest book in prose form in Marathi, Vivēkasindhu (विवेकसिंधु), was written by Mukundaraja, a Nath yogi and arch-poet of Marathi. Mukundaraja bases his exposition of the basic tenets of the Hindu philosophy and the yoga marga on the utterances or teachings of Shankaracharya. Mukundaraja’s other work, Paramamrta, is considered the first systematic attempt to explain the Vedanta in the Marathi language
Notable examples of Marathi prose are “Līḷācarītra” (लीळाचरित्र), events and anecdotes from the miracle-filled the life of Chakradhar Swami of the Mahanubhava sect compiled by his close disciple, Mahimbhatta, in 1238. The Līḷācarītra is thought to be the first biography written in the Marathi language. Mahimbhatta’s second important literary work is the Shri Govindaprabhucharitra or Ruddhipurcharitra, a biography of Shri Chakradhar Swami’s guru, Shri Govind Prabhu. This was probably written in 1288. The Mahanubhava sect made Marathi a vehicle for the propagation of religion and culture. Mahanubhava literature generally comprises works that describe the incarnations of gods, the history of the sect, commentaries on the Bhagavad Gita, poetical works narrating the stories of the life of Krishna and grammatical and etymological works that are deemed useful to explain the philosophy of sect.
Medieval and Deccan Sultanate period
The 13th century Varkari saint Dnyaneshwar (1275–1296) wrote a treatise in Marathi on Bhagawat Gita popularly called Dnyaneshwari and Amrutanubhava.
Mukund Raj was a poet who lived in the 13th century and is said to be the first poet who composed in Marathi. He is known for the Viveka-Siddhi and Parammruta which are metaphysical, pantheistic works connected with orthodox Vedantism.
The 16th century saint-poet Eknath (1528–1599) is well known for composing the Eknāthī Bhāgavat, a commentary on Bhagavat Purana and the devotional songs called Bharud. Mukteshwar translated the Mahabharata into Marathi; Tukaram (1608-49) transformed Marathi into a rich literary language. His poetry contained his inspirations. Tukaram wrote over 3000 abhangs or devotional songs.
Marathi was widely used during the Sultanate period. Although the rulers were Muslims, the local feudal landlords and the revenue collectors were Hindus and so was the majority of the population. To simplify administration and revenue collection, the sultans promoted use of Marathi in official documents. However, the Marathi language from the era is heavily Persianised in its vocabulary. The Persian influence continues to this day with many Persian derived words used in everyday speech such as bāg (Garden), kārkhānā (factory), shahar (city), bāzār (market), dukān (shop), hushār (clever), kāḡaḏ (paper), khurchi (chair), jamin (land), jāhirāt (advertisement), and hazār (thousand) Marathi also became language of administration during the Ahmadnagar Sultanate. Adilshahi of Bijapur also used Marathi for administration and record keeping.
Maratha Empire
Marathi gained prominence with the rise of the Maratha Empire beginning with the reign of Shivaji.In his court, Shivaji replaced Persian, the common courtly language in the region, with Marathi.The Marathi language used in administrative documents also became less persianised. Whereas in 1630, 80% of the vocabulary was Persian, it dropped to 37% by 1677. Shivaji’s reign stimulated the deployment of Marathi as a tool of systematic description and understanding. Shivaji commissioned one of his officials to make a comprehensive lexicon to replace Persian and Arabic terms with their Sanskrit equivalents. This led to production of ‘Rājavyavahārakośa’, the thesaurus of state usage in 1677. Subsequent Maratha rulers extended the empire northwards to Peshawar, eastwards to Odisha, and southwards to Thanjavur in Tamil Nadu. These excursions by the Marathas helped to spread Marathi over broader geographical regions. This period also saw the use of Marathi in transactions involving land and other business. Documents from this period, therefore, give a better picture of the life of common people. There are a number of Bakhars (journals or narratives of histoical events)n written in Marathi and Modi script from this period.
Marathi inscription inside Brihadisvara temple complex, Thanjavur
In the 18th century during Peshwa rule, some well-known works such as Yatharthadeepika by Vaman Pandit, Naladamayanti Swayamvara by Raghunath Pandit, Pandava Pratap, Harivijay, Ramvijay by Shridhar Pandit and Mahabharata by Moropant were produced. Krishnadayarnava and Sridhar were poets during the Peshwa period. New literary forms were successfully experimented with during the period and classical styles were revived, especially the Mahakavya and Prabandha forms. The most important hagiographies of Varkari Bhakti saints were written by Mahipati in the 18th Century. Other well known literary scholars of the 17th century were Mukteshwar and Shridhar. Mukteshwar was the grandson of Eknath and is the most distinguished poet in the Ovi meter. He is most known for translating the Mahabharata and the Ramayana in Marathi but only a part of the Mahabharata translation is available and the entire Ramayana translation is lost. Shridhar Kulkarni came from the Pandharpur area and his works are said to have superseded the Sanskrit epics to a certain extent. This period also saw the development of Powada (ballads sung in honor of warriors), and Lavani (romantic songs presented with dance and instruments like tabla). Major poet composers of Powada and Lavani songs of the 17th and the 18th century were Anant Phandi, Ram Joshi and Honaji Bala.